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The Engineers

ebook
1 of 1 copy available
1 of 1 copy available
In her long-anticipated fourth collection, The Engineers, Katy Lederer draws on the newfangled languages of reproductive technology, genetic engineering, and global warming to ask the age-old questions: What is " the self" ? What is " the other" ? And how to reproduce " one' s self" ? In poems that are both lyrical and playfully autobiographical, Lederer imagines form as a kind of genetics, synthesizing lines out of a rigorous constraint. Things can go wrong. The body— or poem— malfunctions, evacuating crucial parts of itself (miscarriage), or growing too aggressively or quickly (cancer). The body— or poem— attacks or even eats itself (autoimmune dysfunction; autophagy). Written almost entirely in the choral " we," the poems move among the perspectives of the bewildered parent, the unborn child, and the inscrutable God who looks down upon the human world. In a post-Roe landscape, the poems complicate and ultimately refashion our pre-conceived notions of the self— and of life. Radical, uncanny, and stunningly original, The Engineers takes us on a journey to a place we' ve never been, but that is hauntingly familiar.
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    • Publisher's Weekly

      September 18, 2023
      The frenzied and meditative fourth outing from Lederer (The bright red horse—and the blue—) enters scientific circles of heaven and hell to consider the language of reproductive technology and genetic engineering. Readers may need to reference the endnotes to fully understand such titles as “fetus papyrus,” “autophagy,” “acephalic, ” and “chromosomal dislocation” (which causes miscarriage). The book’s eponymous engineers are biomedical, but Lederer’s view is cosmic as well as microscopic. In the sequence “Polar Bodies,” referring to cells that are produced along with eggs and that can be tested for genetic abnormalities, clinical language is set into rhyme and meter disguised by short, erratic line breaks: “First one, then two/ coronal loops,/ we bodied through,/ ambiguous./ The statues/ smashed,/ the crescents/ pushed,/ the laboratory/ nano-flares/ beneath the burning/ bush. And then/ we felt their/ soothing touch.” While the poems are at times a bit amorphous on the page, they gel when read aloud, at times channeling the cadence of nursery rhymes. One poem, “Chimeras,” even borrows its form from a popular children’s book: “Thyroid, thyroid, what do you see?/ I see a hydrops looking at me.” These stirring pieces offer a disquieting and original look at the reproductive frontier.

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  • English

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